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womensconference.org

  

Howlin’ Queens and Six-String Witches: The Fire-Breathing Women of Blues Today

May 9, 2025 Headlines Team   Howlin’ Queens and Six-String Witches: The Fire-Breathing Women of Blues Today   

Let me ask you something—when was the last time the blues shook you? Not gently tapped you on the shoulder and whispered about some heartbreak in the cotton fields, but grabbed you by the ribcage,  dragged you through the swamp, and left you sobbing and screaming and  strangely exhilarated under a neon moon? I’ll tell you when: the moment  you gave up your preconceptions and let the women take over.

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Because the truth is, the future (and let’s be honest, the present)  of the blues is not some bearded dude sweating over a Stratocaster.  It’s being howled, wailed, shredded, and bled out by women who don’t  just play the blues—they are the blues.

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And if you want the best darn proof of that, go listen to Miss Freddye’s “Slippin’ Away.” Seriously, go now. I’ll wait.

Okay, now that you’ve been properly soul-scorched, we can talk. Miss Freddye, Pittsburgh’s Queen of Blues, doesn’t sing that tune—she haunts it. “Slippin’ Away” is a slow-burn lament that oozes loss like a busted  whiskey bottle on a barroom floor. Freddye’s voice is weathered velvet,  strong as steel cables but frayed just enough to let the heartache  bleed through. You can practically hear the ghosts of Koko Taylor and  Big Mama Thornton giving her a standing ovation from the great juke  joint in the sky.

This woman’s blues are rooted in  gospel, grit, and a helluva lot of real-life mileage. She’s not here for  frills or fame—she’s here to testify. And you’d better be ready to listen. Learn more, if you dare, at www.missfreddye.com.

But let’s head south—deep south. Like  swamp-soaked delta shadows with a side of southern gothic sorcery. Enter  The Curse of KK Hammond, who doesn’t just flirt with darkness—she dates it, dances with it, and invites it to burn the barn down. “Walk With Me  Through the Fire” isn’t a song—it’s a spell. Hammond plays slide guitar  like she’s summoning spirits, conjuring sounds that feel older than the  land itself.

Her voice? A smoke-draped drawl, equal  parts menace and moonlight. She’s got that rare, twisted alchemy of  Robert Johnson’s crossroads mythos and PJ Harvey’s primal poetry. Find  her at www.thecurseofkkhammond.com and bow down to the bayou queen (out of the UK) of apocalyptic blues.

And don’t think this is all backwoods and barstools. No, the blues is alive in the city, too—more specifically, in the slick, shimmering streets of Austin, Texas, where Jackie Venson slings blues licks like laser beams. This woman is a virtuosic menace  with a Strat. Her track “Love Transcends” might sound like a plea for  peace, but under the hood, it’s pure rebellion. Venson uses the blues to  speak truth to power, and she does it with fingers that blur and a  voice like fire in a velvet bottle.

She’s what happens when B.B. King and Prince share a soul, and it lands in the body of a Black woman unafraid to burn tradition to the ground.

Now let’s detour back to the UK, where Joanne Shaw Taylor is laying waste to stages and stereotypes. Don’t let the blonde curls  and Brit accent fool you—she’s got the soul of a Mississippi juke joint  preacher. Her song “Dyin’ to Know” doesn’t tiptoe around heartbreak—it  walks in, kicks over the furniture, and demands answers. Joanne plays  with all the subtlety of a freight train, and thank God for that. She  doesn’t borrow from the greats—she builds on them.

And if you still think the blues is a man’s world, let Shemekia Copeland break that last illusion for you. She’s the daughter of Texas blues legend Johnny Copeland, but she doesn’t ride coattails—she tears them off. Her song “Ain’t Got Time for Hate” is a sledgehammer of righteous fury,  wrapped in groove. Shemekia blends political fire with personal truth,  and every note feels like it was forged in a furnace of social  conscience and soul.

These five women—Miss Freddye, KK  Hammond, Jackie Venson, Joanne Shaw Taylor, and Shemekia Copeland—aren’t  just holding down the blues. They’re dragging it into the present,  kicking and screaming, wrapped in chains of distortion and dripping with  realness. They’re not stuck in the past—they own the past, and they’re re-writing the future with every stomped foot and snarled lyric.

So forget what you thought you knew  about the blues. The next time you hear someone say “the blues is dead,”  slap them gently (or not-so-gently) and hand them a playlist of these  women. Because the blues isn’t just alive—it’s alive, it’s angry, and  it’s absolutely female.

And if you’re not listening? Well… you’re the one who’s slippin’ away.

–Leslie Thomas


https://www.womensconference.org/howlin-queens-and-six-string-witches-the-fire-breathing-women-of-blues-today/

HipHop Amplified

 

Holding On to Heartache: Miss Freddye Channels the Blues Tradition on Slippin’ Away"

When Miss Freddye opens her mouth to sing, she doesn’t just perform—she confesses. And on Slippin’ Away, her latest single released in June 2024, the Pittsburgh-based vocalist delivers a performance steeped in the blues tradition: a lamentation of love lost, stripped to its emotional essence and laid bare for all to feel.

Written by the late Mike Lyzenga in 2018, Slippin’ Away is a torch song in the truest sense—sorrowful, aching, and resonant with every note. It’s the kind of tune that doesn’t just echo through the speakers but settles in your bones, stirring memories of love that once burned bright and now flickers in the shadows.

The recording, tracked at Red Caiman Media in Miss Freddye’s hometown, features a lineup of seasoned musicians who know exactly how to support a story this intimate. Mike Huston’s guitar lines are tasteful and aching, delivering slow blues phrasing that bends like a sigh. Jeff Conner lays down gentle, gospel-tinged keyboard textures, while Greg Sejko (bass) and Bob Dicola (drums) provide a steady, unhurried foundation that lets the space between notes breathe. There’s restraint here—a mark of musicians who understand the genre and know that in the blues, silence often speaks as loudly as sound.

But the soul of the song is Freddye’s voice. She doesn’t just sing the lyrics—she inhabits them. There’s weariness in her tone, but also resolve. When she sings, “I feel you slipping through my hands / like water I can’t hold,” it isn’t melodrama—it’s memory. It’s lived experience. And that’s what separates the real blues singers from the rest. There’s a quiet strength behind the sorrow, a sense of endurance that only comes from walking through the fire and finding the words to tell the tale afterward.

Freddye produced the track herself, and her choices reflect an artist who’s not chasing trends but honoring truth. The mix is clean but unvarnished—no frills, no unnecessary layers. The vocals sit right where they should: front and center, raw and immediate. This is music with callouses on its hands and stories behind its eyes.

Slippin’ Away speaks to anyone who’s ever loved hard and lost quietly. It’s a mirror held up to the heart.

In a world where blues is too often reduced to a genre tag or background flavor, Miss Freddye reminds us that it’s still a living language—a way of processing life, one aching phrase at a time. Slippin’ Away is not just another single; it’s a small, powerful reminder of what the blues has always been about: truth, struggle, and the beauty of what remains after the pain.

This is the blues as it’s meant to be—deep, deliberate, and utterly human. Miss Freddye doesn’t just keep the flame alive—she sings straight from the fire.

–Shannon Blue


https://www.hiphopamplified.com/single-post/holding-on-to-heartache-miss-freddye-channels-the-blues-tradition-on-slippin-away

Daily Music Roll

 Blues has always been one of the most heartfelt genres, and ‘Slippin’ Away’ by Miss Freddye is  the perfect representation of what the genre means to its listeners. It  is a beautiful and emotional blues track that feels both timeless and  deeply personal. The artist’s vocals carry so much soul and honesty,  making the song the kind of performance that stops you in your tracks.  There is a sense of raw vulnerability in the track that really brings  the lyrics to life. Above all, what makes this song so powerful is its  simplicity. The stripped-down production lets every word and note  breathe. It is just pure emotion wrapped in a smooth and classic blues  arrangement.

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The lyrics, written by the late Mike Lyzenga, tell a heartfelt story  of love slowly slipping through your hands. That theme of quiet  heartbreak is something many people can relate to, and Miss Freddye has captured that feeling effortlessly. The pain, the reflection, the  longing, it is all there, and you can feel every bit of it. I like how  the song does not try to overdo anything. It sticks to its roots while  still feeling fresh and relevant. The mood and the tone come together  perfectly to create something that lingers long after it ends.

Every aspect and component of ‘Slippin’ Away’ makes  it a standout that showcases the artist’s talent, heart, and deep  connection to the blues. If you are craving something soulful and  sincere, this song can be your go-to. Listen to it on YouTube!

Song Link: https://www.youtube.com/watch?v=LeSyRlBicag


https://www.dailymusicroll.com/entertainment/miss-freddye-drops-emotional-new-single-slippin-away.html

MusZoid Magazine

 Blues has always been a genre of raw emotion and storytelling, and  Miss Freddye's "Lady of the Blues" does not disappoint. This track is a  masterful blend of stirring lyrics, meticulous production, and the  unmistakable clarity of Miss Freddye's dynamic voice, which takes you  straight to the heart of her story.

Lyrics

The  lyrics of "Lady of the Blues" paint a vivid narrative of resilience,  independence, and emotional depth. Lines such as "Uptown, independently  free" and "Stirring deep inside of me your cold heart makes me blue"  showcase Miss Freddye’s ability to translate universal feelings into  personal and poignant storytelling. There’s a sense of defiance  intertwined with vulnerability that shines through, as she balances  heartbreak with a fierce sense of self.

One standout element is  the refrain, "That is why everybody calls me lady of the blue." The  repeated declaration hooks the listener and reinforces her identity—not  just as a blues artist but as someone embodying the emotional essence of  the genre. It’s introspective yet empowering, making it relatable for  anyone who has faced challenges and still risen with strength.

Production

"Lady  of the Blues" is a showcase of excellent production that allows each  element to shine without overpowering Miss Freddye’s voice, which is the  true star of the track. The instrumentation is rich yet restrained—a  perfect combination for blues. The smooth guitar riffs and the steady  rhythm section provide the perfect backdrop for her vocal performance.  The interplay between the music and her voice creates a soulful charm  that holds the listener's attention from start to finish.

The  track's deliberate pacing adds further weight to its emotional  resonance. The space within the arrangement allows each lyric to  breathe, giving the listener a moment to fully absorb every word.

Clarity

Miss  Freddye’s vocal clarity makes this track truly special. Her voice is  full of character—both gritty and smooth as the song demands, with just  the right amount of rasp to carry the emotion of the blues. Each phrase  is delivered with precision, ensuring that the listener feels the depth  of every word.

Even moments of conversational tone like, "You say  you wanna argue? You say you wanna fight?" are delivered with  razor-sharp enunciation, adding layers of personality to the song.  Whether she's belting out the chorus or gently working through the  verses, her delivery feels effortless yet profoundly impactful.

Overall Impression

"Lady  of the Blues" is a powerful homage to the blues tradition while  remaining contemporary and accessible. Miss Freddye brings authenticity  and soul to every facet of this track, making it clear why she's earned  her title as the "Lady of the Blues."

This is not just a song;  it's an anthem for anyone who's weathered life's storms and come out the  other side stronger. Miss Freddye reminds us all that the blues isn't  just music—it's a celebration of survival and spirit. Whether you’re a  long-time fan of blues or just dabbling in the genre, this track is one  to add to your playlist.

Rating: ★★★★★

Must Listen For: Anyone who loves storytelling through music and appreciates a voice with grit and grace.


https://muszoid.com/miss-freddye-music-review

MTS Management Group

PITTSBURGH, PA – January 31, 2025 – MTS Management Group/MTS Records are proud to announce their outstanding success at the 2024 Independent Music Network (IMN) Awards,  with multiple artists and the label itself receiving top honors. These  awards recognize the best independent artists and industry professionals  making a significant impact in mainstream and country music.

MTS 2024 IMN Award Winners:

Mainstream Category:

  • Favorite Single – “I Feel So Good” – DPB
  • Favorite Impact Artist – Bill Abernathy

Country Category:

  • Favorite Single – “442” – Midnight Sky
  • Country Breakout Single – “The Vice” – Luanne Hunt
  • New Discovery Artist – Robert Ross

Additional Awards:

  • Entertainer of the Year – Miss Freddye
  • Record Label of the Year – MTS Records
  • IMN Fan Favorite – Gary Pratt

MTS Records, under the leadership of Michael Stover, was honored as Record Label of the Year, a testament to its dedication to fostering independent talent and achieving remarkable success in the industry.

“This recognition means the world to us,” said Michael Stover,  founder of MTS Management Group and MTS Records. “Our artists work  tirelessly to create music that resonates with audiences, and to see  them honored on this stage is truly rewarding. We are incredibly proud  of each and every one of them.”

The Independent Music Network (IMN) aims to “level  the playing field” for independent artists by connecting them with  commercial and satellite radio opportunities. Their awards highlight the  rising stars and standout talent in both mainstream and country music.

About MTS Management Group & MTS Records

Founded in 2010 by award-winning songwriter, musician, and producer Michael Stover, MTS Management Group is a full-service Record Label, artist management, publicity, and promotions company. Known for providing major exposure for indie artists, MTS has worked with some of the most promising independent talents in the industry.

MTS Records has achieved over 100 Top 40 New Music Weekly country chart singles, including 15 #1 hits, and multiple Top 10 Billboard Magazine chart placements. With an unwavering commitment to artist development and success, MTS continues to redefine the independent music landscape.

For more information about MTS Management Group and its artists, visit www.mtsmanagementgroup.com.

Indie Pulse Music

Blues powerhouse Miss Freddye has  returned with not one but two poignant singles, “Let It Burn” and  “Slippin’ Away,” marking a new chapter in her illustrious career. Known  for her ability to channel raw emotion into her music, Miss Freddye  reflects on the inspiration behind these tracks, her creative process,  and the evolution of the blues genre. From collaborating with talented  musicians like Jesse Landers and Hollis Greathouse to balancing  tradition with modern flair, Miss Freddye’s artistry shines through. In  this exclusive interview, she opens up about her mission to connect with  audiences through storytelling, her roots in Pittsburgh’s vibrant music  scene, and how she continues to use her voice for healing and community  impact.

“Let It Burn” marks  your first release in two years. What was the inspiration behind this  powerful track, and how did you approach its recording process with your  band? How did working with Jesse Landers and engineer Hollis Greathouse  shape the final sound?

I love  ballads, love stories. When Jesse Landers introduced me to his song,  that first note I heard, I knew I could sing it from my heart! This song  reminds of a relationship of love, yearning, and determination. My  bandmates know when I bring them a song, they know it is going to be  something people will get into and love! I asked Jesse his opinion on  the flow of the song. I asked him for input on the tempo, the  composition, the instrumentation, and the sound. He knew this song would  become “Miss Freddye”. It would become one with me. 

Hollis  is not only an experienced engineer, but a fantastic musician with a  great ear! We have worked together a few times and he knows my sound, my  range, and what would work in the style I sing.

This makes it easy to work with people who have taken the time to get to know me, the singer!

“Slippin’  Away” is a deeply emotional song written by your late friend, Mike  Lyzenga. How did it feel to bring his lyrics to life, and what personal  meaning does the song hold for you? Was there a specific moment during  the recording that stood out as particularly moving?

 

When Mike first introduced  the song to me,  the first note I knew I was going to do this song  justice! Mike was a fantastic songwriter! His music was from the heart,  which spoke volumes about him. When I first read the lyrics, they  reminded me of my own heart and what I went thru at one time or  another. 

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The  best moment was when my Homecookin Band  recorded a video 4 years ago.  The way we did that song was haunting, moving. I knew this song was  going to be a hit! 

When we recorded in  the studio, at that moment I knew this was going to be a great love  song! My bandmates took their time and added their hearts into the song!

Both  “Let It Burn” and “Slippin’ Away” showcase different sides of your  artistry. How do these singles reflect your growth as a blues singer and  storyteller? Did you approach each song with a different mindset, given  their contrasting themes?

Both  are great love songs! I have found the audiences can definitely relate  to them. I have heard many times how they can tell when I’m “into” the  song.  As a storyteller through the music I do, it is important to put  in my emotions, my essence. Both songs are unique, but they tell  different stories. Let It Burn tells of an already existing love that  wants to intensify that love. 

‘Slippin Away’ tells of a love that was there, but that love has its memories and asks where does go, where has it gone. 

When  I sing these songs, my mood is different. One song is longing to keep  the love burning,  the other song tells of a love that was once there,  but now it’s just slippin away.

The  lyrics in “Slippin’ Away” speak to love, loss, and longing. How do you  channel such raw emotion into your performances, and what do you hope  listeners take away from the song?  Have fans shared any personal  stories with you after hearing the track?

I  can relate to this song. I put my “essence” in the song. This means the  feel, the love, and the outcome. I have people come up to me and say  they now how I feel. I have heard stories of broken relationships and  stories of new relationships. It is when during those moments I have  accomplished what I have set out to do, give the audiences connection. 

Your  music often draws from real-life experiences and deep emotions. How do  you balance preserving the authenticity of the blues tradition with  bringing your own modern flair to the genre?  How have your influences,  like Koko Taylor and Etta James, impacted your sound on these latest  singles?

My motto is to stay  true to myself, but be versatile. My influences have done this. Just  like they did m I have built my own “essence” while keeping in mind  traditions with some added modern touches. I learned over the years to  focus on what moves me and how my audiences will react. 

You’ve  been a prominent figure in the Pittsburgh music scene for over two  decades. How do you see the blues evolving, and what role do you hope  your latest singles play in keeping the genre alive?  How do you stay  connected to your roots while continuing to evolve as an artist?

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I  have to say the blues music is changing. I always welcome change! But, I  keep in mind my roots, my influences. It can be easy to lose yourself  and get caught up in the moments of popularity, of fame. I stay focused  because I do not want my creativity interrupted by things that will not  be on the same page as I am. 

Beyond  music, you’ve made an impact through charity work and community  engagement. How do songs like “Let It Burn” and “Slippin’ Away” reflect  your mission to use music as a force for healing and Connection?   Are  there any upcoming projects or charity events you’re excited to be a  part of?

As the saying goes  “music is a healer”! Singing about love and relationships gives a sense  of closure. The closure means as a singer, I can express the things that  mean the most to my audiences. 

I am  excited to be part of the following charity events for 2025! I will be  joining “Pittsburgh’s Divas for ‘Hair Peace”, May 31, for raising money  and awareness for women who are fighting cancer. 

Every  year I perform for “Rockin The Roosevelt” and Band Blast. These  charity’s events raise money for the playground in Arnold, PA, for the  kids to have a place to play and to be safe. I will be performing for  “Back The Blue” in memory of police officers from the Alle-Kiski area  who lost their lives in the line of duty. Also, I will be performing for  Leechburg, PA Pink Day. This will be the last year for this charity  event that raises money and awareness for The Breast Cancer Foundation.

I am currently working on my next single and album. I look forward to sharing the music with the world!


https://indiepulsemusic.com/2025/01/27/miss-freddye-on-love-loss-and-the-healing-power-of-blues-an-exclusive-interview/?fbclid=IwY2xjawIEsjFleHRuA2FlbQIxMQABHRAi-IR_6hNGRP9pVNIndXm2W6TTaMqnuY3P2be0ztwNq1XZ7_z8h1BnnA_aem_J1yESuJCOldoJyO_U-ciwQ

Trendy Magazine

  2024 proved to be another incredible year for blues and R&B  music, with a host of talented vocalists captivating audiences  worldwide. From soulful crooners to powerhouse belters, these artists  have poured their hearts and souls into their music, leaving an  indelible mark on the industry. Let’s delve into some of the standout  vocalists who have graced our ears this year.


The Reigning Queens

  • Ruthie Foster: This veteran vocalist continues to  mesmerize with her soulful voice and impeccable control. Her ability to  infuse gospel, folk, and blues into her music creates a truly unique and  unforgettable experience. Foster’s 2024 album showcased her vocal  prowess, earning her critical acclaim and solidifying her place as a  blues legend.
  • SZA: Dominating the R&B charts, SZA’s sultry  vocals and raw, honest lyrics have connected with a generation. Her  ability to blend contemporary R&B with elements of soul and jazz  makes her a standout in the modern music landscape.
  • Victoria Monét: With a voice like liquid gold,  Victoria Monét has enchanted listeners with her smooth vocals and  captivating stage presence. Her music effortlessly blends classic  R&B with modern influences, creating a sound that is both timeless  and fresh.


Rising Stars

  • Aqyila: A fresh voice on the R&B scene,  Aqyila’s powerful vocals and nostalgic sound have garnered her a devoted  following. Her music pays homage to the golden age of R&B while  incorporating contemporary elements, making her an artist to watch in  the coming years.
  • Shae Universe: Hailing from the UK, Shae Universe  is a rising star with a voice that is both soulful and captivating. Her  music blends R&B, neo-soul, and jazz influences, creating a sound  that is uniquely her own.


Hidden Gems

  • Miss Freddye: A true gem in the blues world, Miss Freddye’s powerful vocals and commanding stage presence have earned her a loyal  following. Her music is deeply rooted in the blues tradition, but she  infuses it with her own unique style and energy. Miss Freddye’s live  performances are legendary, and her 2024 album further cemented her  status as a force to be reckoned with.
  • J. Warner: With a voice that is both smooth and  soulful, J. Warner is a rising star in the R&B world. His music is  infused with elements of jazz and funk, creating a sound that is both  modern and timeless.


Honoring the Legends

  • Bobby Rush: A living legend in the blues world,  Bobby Rush continues to captivate audiences with his soulful voice and  electrifying stage presence.6 His music is a testament to the enduring power of the blues, and his influence on the genre is undeniable.


This is just a glimpse into the vibrant landscape of blues and  R&B vocalists in 2024. These artists, along with many others, have  enriched our lives with their music, reminding us of the power of the  human voice to move, inspire, and connect us all.


https://trendymagazine.co.uk/the-soul-stirrers-celebrating-the-best-blues-rb-vocalists-of-2024/

ABC News

Pittsburgh’s Musical Heritage and Today’s Rising Stars

No discussion of Pittsburgh musicians would be complete without mentioning Miss Freddye,  affectionately known as “Pittsburgh’s Lady of the Blues.” Miss  Freddye’s voice is soulful, dynamic, and rich with experience. Her music  pays homage to the blues traditions while infusing them with modern  flair. Whether she’s belting out heartfelt ballads or upbeat blues-rock  numbers, Miss Freddye captures the spirit of Pittsburgh—strong, soulful,  and full of life.

Her accolades include regional awards  and national recognition, but it’s her connection to the audience that  sets her apart. Performing in Pittsburgh’s local venues and beyond, she  keeps the blues alive and thriving, proving that the city’s  working-class roots and musical traditions are inseparable.


https://abcnewsnow.uk/entertainment/pittsburghs-musical-heritage-and-todays-rising-stars

Americana Highways

Miss Freddye’s single, “Slippin’ Away” is a soul-stirring blues  ballad that eloquently captures the raw emotions of love and loss. As  one of Pittsburgh’s most celebrated blues artists, often affectionately  called “The Lady of the Blues,” Miss Freddye continues to demonstrate  her command over heartfelt storytelling and emotional nuance. This  release stands as a testament to her enduring artistry and dedication to  her craft, and, as she told Americana Highways, “I knew this  would be a great ballad that people could relate to. I love singing  ballads that project a strong meaning behind them!”

The track has its origins in a 2018 composition by the late Mike  Lyzenga, a revered songwriter whose legacy is etched in emotionally  resonant melodies and lyrical depth. Recorded at Red Caiman Media in  Pittsburgh, “Slippin’ Away” was brought to life with the collaborative  efforts of an impressive lineup of musicians. Mike Huston’s emotive  guitar work, Jeff Conner’s soulful keyboard performance, Greg Sejko’s  steady bass lines, and Bob Dicola’s dynamic drumming create a lush  instrumental foundation that perfectly complements Miss Freddye’s  powerful vocal delivery. We asked her “What makes this song special?”   As she put it: “It was written by a dear friend of mine who suddenly  passed away 3 years ago. He mentioned he had a song that would “fit” me.  Well the first note I knew I was going to fall in love with the song!  It is haunting and reminds me of a relationship I was in Some years  back. I can relate to everything words of this song!”

Miss Freddye herself took on the role of producer for the single,  ensuring that every note and lyric reflected her vision. This personal  involvement adds an intimate layer to the song, as her connection to the  material shines through in every element. The result is a polished yet  deeply personal piece that resonates with listeners on a profound level.

From the opening notes, “Slippin’ Away” establishes a melancholic yet  beautiful tone. The instrumentation is layered with intention,  providing a rich sonic tapestry that allows Miss Freddye’s voice to take  center stage. Her vocal performance is nothing short of mesmerizing;  she sings with a vulnerability that draws listeners into the song’s  emotional landscape. As she delivers lyrics about the gradual unraveling  of a once-strong love, her voice quivers with both strength and  fragility, embodying the push-and-pull of holding on and letting go.

Why does she hope listeners take away from this song? Miss Freddye  told us: “I hope they not only can relate to the song, but take its  advice and if they need to be reminded, continue to listen and share it  with others! It is that kind of a song.”

Lyrically, “Slippin’ Away” is a poignant meditation on the  inevitability of change in relationships. Lines such as “I feel you  slipping through my hands / like water I can’t hold” evoke a visceral  sense of loss, capturing the universal experience of watching love fade  despite one’s best efforts. The words are simple yet profoundly  impactful, offering a raw honesty that is both heart-wrenching and  cathartic.

We asked Miss Freddye how important is it that music be a part of the  healing process. She answered thoughtfully: “Oh, very important! I for  one have music as my “go to.”  I have my moods and music soothes me,  gives me energy, takes me away to places, and it shows me clarity. Some  people like to keep their lives private. But, they need an outlet. I  have found throughout performing, it does just that for people I have  met.”

The production choices further enhance the song’s impact. The  instrumentation is deliberately understated, allowing the focus to  remain on the lyrics and vocals. The subtle interplay between the guitar  and keyboards mirrors the ebb and flow of emotions described in the  song, while the rhythm section provides a steady grounding, reflecting  the resilience required to endure heartbreak.

What sets “Slippin’ Away” apart is its ability to transcend genre  boundaries. While deeply rooted in the blues tradition, the song also  incorporates elements of soul and gospel, reflecting Miss Freddye’s  versatility as an artist. This fusion creates a sound that feels both  classic and contemporary, appealing to a broad audience. Longtime fans  of the blues will appreciate the song’s authenticity and respect for  tradition, while new listeners may find themselves drawn to its  relatable themes and emotional resonance.

Miss Freddye’s decision to release “Slippin’ Away” as a single also  reflects her commitment to sharing stories that matter. She has spoken  about her desire to connect with listeners on a personal level, and this  track exemplifies that mission. The song not only showcases her  technical skill and vocal prowess but also her ability to communicate  complex emotions with grace and honesty.

In the context of Miss Freddye’s broader discography, “Slippin’ Away”  stands out as a significant milestone. It reinforces her reputation as a  torchbearer for contemporary blues while showcasing her growth as an  artist and producer. The single serves as a reminder of the power of  music to heal, connect, and inspire.

Ultimately, “Slippin’ Away” is a deeply moving and beautifully  crafted piece of music that cements Miss Freddye’s place as one of the  most compelling voices in modern blues. Its poignant lyrics, emotive  vocals, and rich instrumentation come together to create a timeless  track that will resonate with listeners for years to come. Whether  you’re a longtime fan of the blues or a newcomer to the genre, “Slippin’  Away”
is a must-listen that captures the heartache and beauty of love’s fleeting nature.


https://americanahighways.org/2024/11/21/interview-miss-freddye-on-slippin-away/

Atlanta Wire

 

Miss Freddye, Pittsburgh’s beloved “Lady of the Blues,” delivers a profoundly moving  and emotional experience in her latest single, “Slippin’ Away.” Released  on June 14, 2024, this soul-stirring track is a masterful blend of  blues tradition and raw human emotion, showcasing her powerful voice and  deep connection to the material. The song, originally penned by the  late Mike Lyzenga, is a  poignant reflection on love fading away, underscored by heartache and  longing. Through Miss Freddye’s emotive interpretation, “Slippin’ Away”  becomes not only a tribute to Lyzenga but also a testament to her  musical prowess and ability to touch listeners on a deeply personal  level.

A Masterclass in Emotional Storytelling

From the opening lines, “I don’t know, where we’re goin’ / I don’t know, where we’ve been,” it’s clear that “Slippin’ Away” taps into the universal themes of  confusion and loss. Miss Freddye’s vocal delivery is haunting and rich,  enveloping the listener in the uncertainty and pain of a relationship  unraveling. The evocative lyrics and her heartfelt performance instantly  strike a chord with the listener, reminding us of those moments when  love feels like it’s slipping through our fingers, no matter how hard we  try to hold on.

Miss Freddye has always had a gift  for storytelling, and this track is no exception. Each lyric feels  deeply personal, as though she’s lived every word. The emotional weight  she brings to Lyzenga’s words elevates the song beyond a typical blues  ballad. She sings not just from the head but from the heart, making it  impossible not to feel the ache and sorrow in each note. The repetition  of the line “Do you feel our love…slippin’ away” is especially powerful, capturing the painful realization that love, once so strong, is slowly fading.

The Musical Craftsmanship

While Miss Freddye’s vocals are the  star of the show, the musicians backing her provide a perfectly balanced  foundation. Mike Huston’s guitar work is subtle yet evocative, adding  texture without overpowering the track. His lead break in the middle of  the song is a brief yet poignant expression of the emotional storm  brewing beneath the surface. Jeff Conner’s keys, alongside Greg Sejko on  bass and Bob Dicola on drums, offer a soulful rhythm section that  complements the melancholic mood of the song. Each instrument plays its  role in highlighting Miss Freddye’s voice, allowing her delivery to  shine without unnecessary embellishment.

The production, handled by Miss  Freddye herself, preserves the song’s emotional intensity. Recorded at  Red Caiman Media in the North Hills of Pittsburgh, the track has a clean  and polished sound that still feels organic and raw, a difficult  balance to strike in the modern blues landscape. Keeping the arrangement  relatively sparse ensures that the focus remains on the lyrics and Miss  Freddye’s vocal performance, allowing the emotion to breathe and  expand.

A Tribute to Mike Lyzenga

“Slippin’ Away” holds special  significance for Miss Freddye and the late Mike Lyzenga, who wrote the  song in 2018. His lyrics, deeply personal and full of vivid imagery, are  brought to life by Miss Freddye’s passionate interpretation. Through  her delivery, Lyzenga’s words take on new meaning, resonating with  anyone who has experienced the heartache of love slipping away. Miss  Freddye approached the song with deep respect and sensitivity, honoring  Lyzenga’s legacy while making the song her own.

A Soulful Journey Through Heartache

Miss Freddye’s “Slippin’ Away” is a  stunning blues ballad that captures the heartache and sorrow of love  lost. Her powerful, soulful voice, combined with the evocative lyrics  and subtle yet effective instrumentation, creates a deeply emotional  experience that resonates long after the song has ended. As always, Miss  Freddye proves herself to be a masterful interpreter of the blues,  capable of conveying the deepest of human emotions through her music. 

Whether you’re a long-time fan of the  blues or a newcomer, “Slippin’ Away” is a track that will leave a  lasting impression. It showcases why Miss Freddye remains a powerhouse  in the world of blues music. With its poignant themes and unforgettable  delivery, this single will resonate with listeners and cement Miss Freddye’s place as one of the contemporary blues’ authentic and  heartfelt voices.


https://atlwire.com/heartache-and-soul-miss-freddye-captivates-with-poignant-new-single-slippin-away/

MSNBC 24

Miss Freddye, affectionately known as Pittsburgh’s “Lady of the Blues,” delivers a heartfelt homage to lost love with her single, “Slippin’ Away.” A poignant blues ballad written by the late Mike Lyzenga, the song is  steeped in sorrow and emotional depth, capturing the painful unraveling  of a once-strong love.

The track opens with somber chords,  setting the tone for Miss Freddye’s soulful vocals to take center stage.  Her voice, rich with emotional texture, glides effortlessly over the  instrumental arrangement, bringing the evocative lyrics to life. The  words, “I don’t know, where we’re goin’, I don’t know, where we’ve  been,” evoke a sense of confusion and despair that is instantly  relatable. As the song progresses, the repeated refrain, “Do you feel  our love slippin’ away?” echoes like a haunting question, inviting  listeners to feel the weight of every note.

Miss Freddye’s emotive delivery is  perfectly complemented by Mike Huston’s gentle guitar work and Jeff  Conner’s melancholic keys, weaving a tapestry of sound that is both  delicate and powerful. The band’s restraint allows the lyrics to take  center stage, while still enhancing the song’s mournful atmosphere.

Lyrically, the track explores the  heartbreaking inevitability of a fading love. The chorus, with its  simple yet profound repetition, cuts straight to the heart, highlighting  the helplessness that comes with watching something precious slip away.  The blues genre, with its natural affinity for themes of heartache,  serves as the perfect vehicle for Miss Freddye’s soulful interpretation  of Lyzenga’s words.

Similar Releases:  

For those drawn to “Slippin’ Away,” the following albums offer a similar blend of bluesy emotion and heartfelt storytelling:

  1. Etta James – Tell Mama
  2. Koko Taylor – Koko Taylor  
  3. Bonnie Raitt – Nick of Time 
  4. Big Mama Thornton – Ball and Chain  
  5. Shemekia Copeland – Outskirts of Love

For a deeper dive into complex blues  narratives, check out Taj Mahal’s “The Natch’l Blues.” This album offers  a richly textured blues experience with intricate instrumentation and  layered storytelling that will resonate with fans of Miss Freddye’s  emotionally raw approach.

“Slippin’ Away” is a powerful blues  ballad that showcases Miss Freddye’s mastery of conveying raw emotion  through song. Her tribute to the late Mike Lyzenga is a stirring  reflection on love and loss, resonating deeply with blues enthusiasts  and new listeners alike.


https://msnbc24.com/2024/10/16/slippin-away-a-blues-elegy-of-love-lost/?fbclid=IwY2xjawGNxmFleHRuA2FlbQIxMQABHW04r92cLb2SRQKiMQQlVv4ts6Pwy2PKzGfjdZyIR2kq55g1BVSB4hftbw_aem_D4tsfCAmsePIh-NoWF3gjw

Music Existence

 

In her latest single, “Slippin’ Away,” Miss Freddye,  Pittsburgh’s beloved “Lady of the Blues,” takes listeners on an  emotional journey through love’s dissolution. The song, a blues ballad  written by the late Mike Lyzenga, captures the heartache of a  relationship slipping out of reach. Miss Freddye’s rich and soulful  vocals provide a haunting interpretation of the lyrics, filling every  line with raw emotion and an undeniable authenticity that is sure to  resonate deeply with her audience.

Musically, “Slippin’ Away” is built on a foundation of melancholy  blues, with guitar strains that are equally tender and piercing,  complemented by the smooth depth of the keys and the subtle pulse of the  rhythm section. Mike Huston’s lead guitar break, filled with soulful  bends and longing notes, perfectly mirrors the lament in Miss Freddye’s  voice, giving the song an evocative texture that enhances its emotional  impact.

The lyrics express the painful uncertainty of a love falling apart:
“I don’t know, where we’re goin’ I don’t know, where we’ve been It’s just an illusion, we’ve seen before.”

These lines, delivered with a soulful ache, are underscored by Miss  Freddye’s ability to convey vulnerability, making each word hit home.  The refrain, “Do you feel our love slippin’ away,” lingers like a slow  echo of regret, amplified by her deep, resonant vocal performance.

More than just a tribute to the late Lyzenga, “Slippin’ Away” is a  testament to Miss Freddye’s prowess in channeling emotion through music.  Her interpretation is seamless, and the production, which she helmed  herself, is polished yet intimate—creating an atmosphere where the  listener can feel every heartbreak unfolding.


https://musicexistence.com/blog/2024/10/01/single-review-miss-freddye-slippin-away/

Vents Magazine

Miss Freddye’s latest single, “Slippin’ Away,” is a soul-stirring testament to her  mastery of the blues genre and her deep emotional expression. Released  on June 14, 2024, this track is a poignant meditation on love, loss, and  the painful realization of a relationship slipping through one’s  fingers. Written by the late Mike Lyzenga, the song carries a heartfelt  narrative, brought to life by Miss Freddye’s powerful and emotive  vocals.

From the first notes, “Slippin’ Away” establishes a  melancholic mood, with the gentle instrumentation serving as a delicate  backdrop to Miss Freddye’s impassioned voice. The song’s structure,  rooted in classic blues traditions, allows her to showcase her vocal  prowess while conveying raw, unfiltered emotion. As she sings lines  like, “Darlin’, I know, just how you feel / ‘Cause this heartache, is  all too real,” listeners can feel the weight of sorrow and longing  permeating each phrase.

The musicians accompanying her elevate the  track’s emotional intensity without overshadowing the vocals. Mike  Huston’s bluesy guitar riffs blend seamlessly with Jeff Conner’s  expressive keyboard work, while Greg Sejko on bass and Bob Dicola on  drums provide a solid rhythmic foundation. Together, they create a rich  sonic landscape that complements Miss Freddye’s vocal delivery,  enhancing the song’s evocative quality.

Lyrically,  “Slippin’ Away” is both reflective and relatable. The repetition of the  haunting refrain, “Do you feel our love… slippin’ away,” captures the  painful uncertainty that comes with a faltering relationship. The  imagery in lines like “Baby, all these dreams, that we shared / Are  goin’ up in flames, baby I thought you cared,” paints a vivid picture of  heartbreak and loss. The lyrical simplicity of the song underscores its  emotional complexity, drawing listeners into a shared experience of  love dissolving.

Miss Freddye’s interpretation of this ballad is  more than a performance; it is a deeply personal tribute to the late  Mike Lyzenga, honoring his songwriting while infusing the track with her  unique voice. Her ability to channel such a profound sense of loss  speaks to her talent as a blues artist, making “Slippin’ Away” not just  another love song, but a powerful musical expression of grief and  reflection.

Overall, “Slippin’ Away” is a moving addition to Miss  Freddye’s already impressive catalog. It showcases her ability to  inhabit the emotional core of a song, resonating with both seasoned  blues fans and new listeners alike. With its haunting lyrics, beautiful  instrumentation, and Miss Freddye’s soulful delivery, this single is  sure to leave a lasting impact on anyone who hears it.


https://ventsmagazine.com/2024/10/01/haunting-and-emotional-miss-freddyes-slippin-away/

The Chicago Journal

 

In the ever-evolving landscape of  music, where genres blend, and new sounds emerge almost daily, it is  refreshing to encounter a track that not only pays homage to its roots  but does so with an unwavering passion and authenticity. Miss Freddye’s  latest single, “Let It Burn,” is a bluesy rock masterpiece that does  exactly this. With its slow build-up and nostalgia-inducing atmosphere,  the song welcomes listeners into a sonic realm reminiscent of the glory  ages of rock.

From the very first notes carried by  steel guitars, “Let It Burn” establishes itself as more than just a  song; it’s an experience. The deliberate pacing at the outset serves not  merely as an introduction but sets the tone for what becomes a  methodically paced musical journey. This careful construction creates an  anticipation that grows with each note, inviting listeners to immerse  themselves in the unfolding narrative.

At the heart of this captivating  piece is Miss Freddye’s commanding vocals. As she delivers the powerful  line, “Let it burn,” there’s a palpable blend of passion and authority  in her voice. Her vocal prowess adds a rich depth to the lyrics, making  every word resonate with emotion. This controlled yet expressive  delivery not only enhances the overall impact of the song but also  fosters a deep connection between Miss Freddye and her audience.

The arrangement of “Let It Burn”  further elevates its appeal. A particularly standout moment is when a  phenomenal guitar solo cuts through, showcasing instrumental prowess  that both complements and highlights Miss Freddye’s vocal strength. This  solo acts as a dynamic centerpiece, skillfully executed to add layers  of intensity and excitement to the track. Moments like these underscore  the musicianship involved in creating “Let It Burn,” harkening back to  an era when rock was king.

Beyond its technical merits lies an  inviting warmth embedded within “Let It Burn.” The synergy between steel  guitars, rhythm sections, and soul-stirring solos creates a comforting  atmosphere that embraces listeners. This welcoming space allows for an  immersive listening experience where one can truly appreciate the  richness of sound and lyricism on offer.

The meticulous arrangement ensures  that each instrument plays a pivotal role in crafting the overall sonic  tapestry while maintaining harmony within the composition. The  production quality shines through here, allowing every element its  moment in the spotlight without overwhelming others—a testament to both  balance and craftsmanship.

Miss Freddye’s ability to capture and  convey the essence of bluesy rock with such authenticity and fervor  makes “Let It Burn” not just a tribute to past musical glories but also a  beacon for contemporary relevance. In merging powerful vocals with  evocative instrumentals against carefully crafted atmospheres, she  creates something timeless—a track that pays respect to its roots while  standing firmly within today’s musical landscape.

“Let It Burn” stands as compelling  evidence of bluesy rock’s enduring appeal and Miss Freddye’s mastery  over her craft. For those yearning for music with depth, passion, and  genuine artistry, this track is not just recommended; it’s essential  listening. In an age where genuine connections through music are  cherished more than ever before, “Let It Burn” offers just that—an  authentic bridge between eras enriched by unparalleled musicality.

For more information about Miss  Freddye and her inspiring music journey or to delve deeper into her  discography, which includes gems like “Let It Burn,” visit  [www.missfreddye.com](http://www.missfreddye.com). Here, you can find  updates on upcoming projects, performances, and more insights into her  world—welcoming you into an experience defined by a passion for music  that truly resonates.


https://thechicagojournal.com/reigniting-the-flame-of-bluesy-rock-a-review-of-miss-freddyes-let-it-burn/

Muzic Times

 

In the realm of blues, few artists manage to capture the raw essence  of emotion and deliver it with an authenticity that resonates deeply  with listeners. Miss Freddye, affectionately known as Pittsburgh’s “Lady of the Blues,” does  precisely that with her latest single, “Slippin’ Away.” The track,  penned by her late friend Mike Lyzenga and released on June 14th, 2024,  is a soulful ballad that explores themes of love, loss, and the painful  process of emotional unraveling.

From the opening chords, “Slippin’ Away” envelopes  listeners in a soundscape that is both haunting and beautiful. The  production, handled by Miss Freddye herself and recorded at Red Caiman  Media, boasts a polished yet deeply organic feel. The instrumentation is  meticulously layered, with Mike Huston’s evocative guitar lines, Jeff  Conner’s tender keys, Greg Sejko’s grounding bass, and Bob Dicola’s  tasteful drumming providing a rich, textured backdrop for Miss Freddye’s  powerful vocals.

The lyrics of “Slippin’ Away,” written by Lyzenga, are a poignant  exploration of a relationship on the brink of dissolution. Lines such as  “I don’t know, where we’re goin’ / I don’t know, where we’ve been” set  the tone for a narrative steeped in confusion and melancholy. The song’s  chorus, with its repeated query, “Do you feel our love… slippin’ away,”  captures the aching doubt and sorrow of fading love in a way that feels  deeply personal and relatable.

Miss Freddye’s vocal delivery is nothing short of mesmerizing. Her  voice carries the weight of each word, imbuing the lyrics with a depth  of feeling that is both heart-wrenching and cathartic. Her ability to  convey vulnerability and strength simultaneously is a testament to her  prowess as a blues singer. The way she stretches and bends notes, adding  subtle inflections of pain and longing, draws listeners into the  emotional core of the song.

The accompanying musicians enhance this emotional journey with their  nuanced performances. Huston’s guitar work, in particular, shines with  its plaintive, bluesy solos that echo the song’s themes of heartache and  loss. Conner’s keys add a layer of melancholy, while Sejko’s bass  provides a steady pulse that grounds the track. Dicola’s drumming is  both gentle and assertive, underpinning the song’s ebb and flow with a  rhythmic sensitivity.

“Slippin’ Away” is more than just a song; it is a tribute to Mike  Lyzenga, whose songwriting prowess is evident in the track’s lyrical and  melodic construction. The song’s release serves as a poignant reminder  of Lyzenga’s talent and the enduring power of his work. It is also a  testament to Miss Freddye’s ability to honor her friend’s legacy while  making the song her own.

Miss Freddye’s career has been marked by her deep commitment to the  blues and her willingness to use her music for positive change. Her  support for charitable organizations and her involvement in community  causes underscore her dedication to using her platform for good. This  sense of purpose and authenticity permeates her music, making her an  artist who not only entertains but also inspires.

In “Slippin’ Away,” Miss Freddye has crafted a song that speaks to  the universal experience of love and loss with an honesty that is both  rare and refreshing. It is a track that will undoubtedly resonate with  blues aficionados and new listeners alike, offering a poignant, soulful  journey through the complexities of the human heart.


https://muzictimes.com/music-review-slippin-away-by-miss-freddye/

The Music Asylum

 Miss Freddye’s newest single, “Slippin’ Away” is out now, and I can assure you, this is not one to miss.

Kicking off with a beautiful, piano led intro, we are soon welcomed  to an upbeat, blues track. This kind of music is not usually my cup of  tea, however this track is just incredible and amazing. The musical  talent to this track is unreal, and combined with Miss Freddye’s voice  we have a true masterpiece.

There is no denying that Miss Freddye has an amazing voice, in fact  one of the best voices I have ever heard. She sings with such power and  sass, and I just love her.

“Slippin’ Away” is a track that can be loved by anyone, you, your  mum, your, brother or even your grandparents. So, be sure to head over  to Spotify and give this brilliant, heartfelt track a little listen to  now!


https://themusicasylum.co.uk/2024/06/21/miss-freddye-slippin-away/

Vents Magazine

 

Miss Freddye’s latest single, “Let It Burn,” marks a  triumphant return for Pittsburgh’s revered “Lady of the Blues” after a  two-year hiatus since her last release. The track serves as a testament  to her enduring presence in the blues scene, offering listeners a deep  dive into the genre’s soulful essence with a modern twist. With “Let It  Burn,” Miss Freddye continues to solidify her status as a torchbearer of  the blues tradition, infusing her music with raw emotion and  authenticity.

“Let It Burn” is underpinned by Miss Freddye’s  powerful vocal delivery, which is both raw and emotive, drawing  listeners into a narrative of desire and surrender. Her voice, rich with  experience and depth, navigates the intricate emotions of the song with  precision and soul. The backing arrangement, featuring the talents of  her blues band, complements Freddye’s vocals perfectly, creating a lush  soundscape that is both classic and fresh. The inclusion of lap steel  guitar by Bob “Bobby Deal” Powers adds a unique layer to the track,  enhancing its bluesy feel with a hint of Americana.

The lyrics of  “Let It Burn” explore themes of passion and the inevitable pull of  attraction, characterized by vivid imagery and a narrative that many can  relate to. The song speaks to the universal experience of feeling an  undeniable connection with someone, the kind that consumes you entirely.  Miss Freddye captures this sensation with lines like “There’s a heat  between us, there’s no denying” and “My breath on your neck shivers down  your spine,” painting a picture of intimacy and intensity that’s hard  to resist. The chorus, simple and repetitive, emphasizes the song’s  message of surrendering to these feelings, allowing them to “burn”  freely.

Given  Miss Freddye’s established reputation and her previous successes, “Let  It Burn” is poised to resonate with her existing fan base while  attracting new listeners. Her ability to convey authentic blues while  keeping the sound accessible to a contemporary audience is a hallmark of  her music. The song’s universal themes, combined with Freddye’s emotive  performance, make it a compelling listen that’s likely to leave a  lasting impression.

With “Let It Burn,” Miss Freddye reaffirms her  place in the blues genre, offering a track that is both reflective of  her roots and indicative of her growth as an artist. The song is a  celebration of the blues’ enduring power to express the deepest human  emotions, and Miss Freddye does so with the confidence and skill of a  seasoned musician. Fans of the blues and newcomers alike will find “Let  It Burn” a welcome addition to Miss Freddye’s impressive discography,  further cementing her legacy as Pittsburgh’s “Lady of the Blues.”


https://ventsmagazine.com/2024/03/17/single-review-miss-freddyes-let-it-burn/?fbclid=IwAR2wkFcOmHR57NHnYZyIbxH4BanTsUWx53W-Qpu7oNrVNoSYEX1DKyNeSZY

"Unpacking the Recent Legacy of Pittsburgh’s Rich Musical Heritage" - US Insider

 Pittsburgh, Pennsylvania, has long  been a hotbed for musical talent, boasting a diverse array of artists  spanning various genres. From rock to country, pop to hip-hop, the Steel  City has produced some truly exceptional musicians who have left an  indelible mark on the music industry. Let’s take a closer look at some  of the prominent Pittsburgh-based artists who have made waves in the  music world.

A true Pittsburgh legend, Donnie Iris has  been a mainstay in the music industry for decades. With hits like “Ah!  Leah!” and “Love Is Like a Rock,” Iris has solidified his status as a  rock icon. His music continues to inspire generations of fans,  showcasing his undeniable talent and enduring appeal.

Known for her powerhouse vocals and dynamic stage presence, Miss Freddye is a force to be reckoned with in the blues and soul scene. Hailing  from Pittsburgh, she has garnered acclaim for her electrifying  performances and soulful storytelling. Her music is a testament to the  rich musical heritage of the city.

  

One of Pittsburgh’s most famous exports, Wiz Khalifa, has  achieved global success with his unique blend of rap and hip-hop. With  chart-topping hits like “Black and Yellow” and “See You Again,” Khalifa  has become a household name in the music industry. His music reflects  his Pittsburgh roots, paying homage to the city that shaped him.

As a seasoned country artist, Gary Pratt has been a fixture in the Pittsburgh music scene for years. With his  heartfelt lyrics and soulful melodies, Pratt has captivated audiences  both locally and nationally. His music embodies the spirit of the Steel  City, reflecting the resilience and passion of its residents.

While not originally from Pittsburgh, Christina Aguilera spent part of her childhood in the city and has maintained a connection  to it throughout her career. As one of the most successful pop artists  of her generation, Aguilera’s powerhouse vocals and innovative style  have earned her numerous accolades. Her music continues to inspire fans  around the world, showcasing her incredible talent and versatility.

Another rising star in the country music scene, Ashley Puckett, has  been making waves with her powerful vocals and heartfelt songwriting.  Originally from North Huntingdon, east of Pittsburgh, Puckett quickly  gained a loyal following through her authentic sound and honest lyrics.  Her music resonates with audiences of all ages, earning her a reputation  as one of the city’s brightest talents.

A prodigious talent from Pittsburgh, Jackie Evancho rose to fame at a young age with her stunning vocal performances. Known  for her classical crossover style, Evancho has captivated audiences  with her angelic voice and captivating stage presence. Her music has  garnered critical acclaim and earned her a dedicated following of fans.

In conclusion, Pittsburgh’s music  scene is as vibrant and diverse as the city itself, with a rich history  of producing talented artists across a wide range of genres. From  country to rock, pop to hip-hop, the Steel City continues to be a  breeding ground for musical innovation and creativity. With artists like  Gary Pratt, Ashley Puckett, Donnie Iris, Miss Freddye, Wiz Khalifa,  Christina Aguilera, and Jackie Evancho leading the way, the future of  Pittsburgh’s music scene looks brighter than ever.


https://usinsider.com/unpacking-the-recent-legacy-of-pittsburghs-rich-musical-heritage/

Honk Magazine

 

“Let It Burn” by Pittsburgh’s “Lady of the Blues” Miss Freddye is a song rich in metaphor and emotion, centered around the themes of  passion, desire, and surrendering to one’s feelings. The lyrics paint a  vivid picture of two people caught in the throes of an undeniable  attraction, with the heat between them serving as both a literal and  figurative representation of their passion. 

Miss Freddye, known for her powerful voice and emotive  performance style, brings a depth of feeling to “Let It Burn,”  encapsulating the essence of the blues genre. The performance, both  vocally and instrumentally, emphasizes the song’s emotional weight, with  blues guitar riffs, steady rhythms, and a touch of organ underscoring  the narrative of release and renewal.

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The song’s lyrics, combined with Miss Freddye’s passionate delivery,  aim to connect with listeners on a personal level, inviting them to find  solace and strength in the music. “Let It Burn” could be seen as a  musical embodiment of resilience, encouraging listeners to face their  troubles and let them burn away, leaving behind lessons learned and a  spirit strengthened by the flames. The performance of “Let It Burn”  carries the hallmark grit and soul of the blues, offering a sonic  journey through pain, reflection, and ultimately, liberation. 

With Miss Freddye leading the vocals, her performance in “Let It  Burn” is undoubtedly the centerpiece, showcasing her ability to convey  deep emotional truths through her powerful and soulful voice. Miss  Freddye’s vocals are known for their depth and resonance, capable of  expressing a wide range of feelings that connect directly with the  listener’s heart. Her interpretation of the song would be both intimate  and commanding, drawing listeners into the narrative she weaves through  her music.

Bob “Bobby Deal” Powers on the lap steel guitar adds a distinctive,  soul-stirring sound to the track. The lap steel guitar, with its smooth,  sliding tones, complements the vocals beautifully, contributing to the  song’s emotional landscape. It’s an instrument that can evoke a sense of  longing or release, fitting perfectly with the themes of “Let It Burn.” 

Greg “Big Z” Sejko on bass and Tim “Micky D” McDermott on drums form  the backbone of the song, providing a solid rhythmic foundation that  drives the track forward. The bass and drums not only support the melody  and harmonies but also enhance the song’s overall mood and dynamics,  giving it a palpable sense of movement and energy. 

Recorded at Red Caiman Studios in North Hills, with Hollis  Greathouse engineering the session, the studio’s acoustics and  Greathouse’s expertise would ensure that every nuance of the performance  is captured with clarity and warmth. The choice of studio and engineer  plays a crucial role in the final sound of the track, affecting  everything from the vocals’ intimacy to the instruments’ crispness.

As the producer, Miss Freddye’s vision for the song is key. Her role  goes beyond performing; it encompasses overseeing the song’s  arrangement, the musicians’ performances, and the overall direction of  the recording session. Her involvement in the production process ensures  that the song not only reflects her artistic intentions but also  resonates with the listeners on a personal level. 

Together, the ensemble’s contributions, under Miss Freddye’s  guidance and the technical expertise of the recording team, create a  rich, emotionally compelling musical experience that exemplifies the  power of blues music to touch the soul.

“Let It Burn” encapsulates the essence of blues and soul music by  delving into the depths of human emotion and connection. The song’s  lyrics, combined with Miss Freddye’s powerful vocals and the emotive  performances by the band, create a compelling narrative of passion,  desire, and the liberating act of letting go. 

–James Kincaid


https://honkmagazine.com/miss-freddye-belts-out-let-it-burn-as-one-of-her-biggest-hits/

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